FOR IMMEDIATE RELEASE–
New Discovery Links Leonardo da Vinci’s Last Supper to Ancient Mithraic Symbols, Göbekli Tepe, and the Cosmic Cycle of Consciousness
Revolutionary Insight Connects Da Vinci’s Art, the Yuga Cycle, and Ancient Astronomical Knowledge Embedded in the Stars and the Milky Way Galaxy
Scottsdale, AZ—9.1.24—A remarkable discovery by researcher, Hart Steen, unveils a direct connection between Leonardo da Vinci’s Last Supper, Mithraic symbols, the ancient site of Göbekli Tepe in Turkey, and the cyclical nature of human consciousness. This groundbreaking finding reveals that Da Vinci’s iconic masterpiece encodes a complex system of cosmic knowledge, connecting humanity’s spiritual evolution to celestial patterns and the center of the Milky Way galaxy.
In a significant breakthrough, Steen has identified not only Mithraic symbolism within the painting but also a link to Göbekli Tepe’s Pillar 43, commonly known as the Vulture Stone. This ancient carving believed to represent a cosmic alignment based on the precession of the equinoxes, marks the center of the Milky Way and a pivotal celestial moment, both in astronomical significance and within spiritual traditions. The discovery suggests that this alignment heralds the start of a heightened age of consciousness, resonating with both the Yuga cycle and Da Vinci’s encoded cosmology.
Connecting Da Vinci’s Masterpiece to the Stars and Göbekli Tepe
The Vulture Stone at Göbekli Tepe dates back over 12,000 years and has long been regarded as a symbolic astronomical marker. Steen’s research reveals that the stone marks the center of the Milky Way and the precise celestial moment when our solar system aligns with the galaxy’s core, triggering a new phase in the cycle of consciousness. This cosmic event, reflected in the Yuga cycle, indicates a period of heightened spiritual awareness and human potential.
Da Vinci, known for his fascination with both science and esoteric knowledge, appears to have encoded this ancient understanding into The Last Supper. The positioning of the figures, their symbolism, and the overall composition of the background and foreground elements in the painting align with cosmic patterns and the precessional cycle of the stars, reinforcing the connection between human consciousness and the universe.
“This discovery ties together some of the most ancient symbols of human civilization with Da Vinci’s work and modern astronomical understanding,” said Steen. “The alignment marked by the Vulture Stone at Göbekli Tepe and its relationship to the Milky Way and the precession of the equinoxes reveals a pattern of cosmic awareness that Da Vinci sought to capture in The Last Supper. It signifies a deep connection between our biology, consciousness, and the cosmos.”
Göbekli Tepe and the Dawn of a New Age of Consciousness
Göbekli Tepe, often referred to as the world’s oldest temple, holds significant clues to ancient knowledge of the stars. Pillar 43, known as The Vulture Stone, a key artifact from this site, reveals symbolism perfectly marking the center of the Milky Way. Closer examination reveals that it holds cosmological timing in the form of mapping of solstice and equinox markers, further supporting that it symbolizes the celestial beginning of a new era. This alignment, as demonstrated by Steen’s research, marks a critical moment in the precession of the equinoxes and the start of a higher state of human consciousness, as indicated by the Yuga cycle and within traditions around the world.
This new understanding suggests that the ancient builders of Göbekli Tepe, Da Vinci, and spiritual traditions throughout history have pointed to the same cosmic truth: that humanity’s evolution is intertwined with the stars and the universe’s grand cycles. The implications for art, history, astronomy, and the understanding of consciousness are profound and far-reaching.
Implications for Art, History, and Science
This discovery bridges ancient and modern worlds, providing new insights into the connection between ancient civilizations, celestial cycles, and human evolution. The revelation that Da Vinci’s Last Supper encodes these esoteric and astronomical concepts positions his work as more than a religious painting; it is a testament to the enduring human quest to pass on this knowledge and understand our place in the cosmos.
“This finding requires us to rethink not only Da Vinci’s art but also the role of ancient sites like Göbekli Tepe in preserving knowledge of humanity and the universe’s cycles,” Hart says. “It suggests that our biology and capacity for heightened consciousness are linked to these celestial movements, offering a pathway for humanity’s future evolution and a mapping of how to achieve it.”
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